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Callum Innes CADMIUM RED LIGHT
Lot 11
Price Realised: €50,000
Estimate: €40,000 - €60,000
Callum Innes, b.1962 CADMIUM RED LIGHT Oil on canvas, 81 3/4" x 79 3.4" (207.5 x 202.5cm), signed and dated 2007 verso. Provenance: Sean Kelly Gallery, New York; Private Collection. At first glance, particularly if it's based on lookin... Read more
Lot 11 - CADMIUM RED LIGHT by Callum Innes Lot 11 Callum Innes CADMIUM RED LIGHT
Estimate: €40,000 - €60,000
Callum Innes, b.1962
CADMIUM RED LIGHT
Oil on canvas, 81 3/4" x 79 3.4" (207.5 x 202.5cm), signed and dated 2007 verso.

Provenance: Sean Kelly Gallery, New York; Private Collection.

At first glance, particularly if it's based on looking at a reproduction, one might inaccurately label Innes as a hard-edged minimalist. Although his paintings are based on simple geometric grid structures, there are no signs of razor-sharp edges or flat, unmodulated colour. His paintings demand that you experience them first-hand, where the fragility and luminosity of their imperfect surfaces can be enjoyed.  

Innes works in an unusual way, laying down paint over the entire canvas and then using turpentine to dissolve sections while they're still wet, leaving watery residues of the initial colour. He repeats this over and over again, adding and subtracting pigment so that each painting has its own history, leaving vestigial traces of what went before. Every painting, like this one, also records the movement of the artist's hand as he slowly dragged his brush across the surface. The pronounced vertical rhythm in the red panel contrasts with the quiet horizontal movement in the adjacent grey one. These subtle rhythms are key to enjoying the work.

In Cadmium Red Light the interface between colours seems to quiver as adjacent pigments bleed into each other. Each separate colour has an unexpected richness and depth, most noticeable here in the red panel which sings with a luscious translucency. The painting uses bold contrasting colours which initially seem separate but, because every panel contains traces of the same initial underpainting, the disparate colour panels hold together like siblings from the same gene pool.

Dr Frances Ruane, HRHA, May 2023
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